When The Skies Fall
Talia Hoit - "When The Skies Fall"
ALBUM TITLE: When The Skies Fall
GENRE: Symphonic Metal
FORMAT: CD/LP/Digital
LABEL: Iberis Entertainment
DISTRIBUTOR: SAOL/The Orchard
ARTIST: Talia Hoit
COUNTRY: USA
LINE-UP:
Talia Hoit: Vocals, Piano
Frank Pitters: Keyboards, Orchestration
Mat Plekhanov: Guitars
Max Stoner: Bass
Roland Navratil: Drums
Where light exists, shadows are never far behind. Joy and sorrow move as one. Inseparable and intertwined, like love and grief echoing through the same fragile heartbeat. It is within this delicate tension that something profoundly human takes shape: The quiet realization that beauty often carries pain, and that loss is, in itself, a reflection of something once deeply cherished. From this space of emotional duality rises Talia Hoit’s most intimate and revealing work to date: her new album “When The Skies Fall”, which will be released on August 28.
With her upcoming second full-length, Talia invites listeners into a symphonic metal world where certainty dissolves and the ground beneath begins to shift, where identity, love, and meaning are questioned, broken apart, and carefully rebuilt. This is not just a collection of songs, but a deeply personal passage through moments of collapse and renewal. Are you ready to face the storm, and what waits beyond?
“When The Skies Fall” marks Talia Hoit’s second album as a solo artist. Spanning ten emotionally charged tracks, the album explores themes of existential crisis, longing, transformation, and the enduring weight of human connection. Each song carries fragments of her past, written across different chapters of her life, now reawakened and brought into a new sonic dimension.
At its core, the album remains true to Talia’s origins: piano and voice, raw and unfiltered. She herself describes it as a kind of confessional: “Writing poems or songs was my way of processing life and my emotions and things. A lot of what I have written was not originally intended to be a commercial product, so I guess it really fits under the idea of a ‘piano confessional’.”
These foundations are elevated into vast symphonic metal soundscapes, where sweeping orchestration meets driving guitars and powerful rhythms. This time, however, the balance has shifted. Her personal musical voice takes center stage more than ever, with her piano work and emotional intent guiding each arrangement.


